Last winter, I was the production coordinator for a series run by an Emmy Award winner at a location with hundreds of show cars. I had a blast because I had a big responsibility: coordinating with the collector and the executive producer to fulfill the EP’s vision featuring the large collection of show cars, some of which were the only remaining models in the world. I designed an ambitious plan that was safe and responsive for the production and the cars and as a result, we wrapped our shoot a day ahead of schedule, providing more time for post and future production days.